Tuesday, 24 March 2015

Secret to Right Word!


How does it feel when you say those words to people and they feel irritated, angry, bitter, sad or even happy. When you process your word before saying them you get to say the right things most of the time if not all the time.

Act Of Love!


What  most people should consider before choosing to do.

Your True Defination!

Many need to see weight the result of their life based on their level of Patient and Attitude. How many agrees?

A word on Conflict


Albert Einstein


MALI MUSIC PERFORMES "READY AIM" IN R&B STYLE


Singer, Songwriter and Producer  gives an R&B version of his  already sang "READY AIM"

Monday, 23 March 2015

Film Riot - Learn to Write Screenplays for Film


Film Riot teaches how to write your first screen play and an exclusive interview with Austin lee a couch and direction for story telling at "Full Sail University" Florida, where he answers the basic question people have on screen writing.

Ten Principle of A Geat ScreenWriting - Dr Gregory k. Allen

Dr Gregory k. Allen, a Film studies professor  continues to explains the ten principles of a "Great screenwriting ", giving the wow effect to your story, making every scene important and relevant to your story. and more.

Script Writiing Sample - FARMLAND by Jeffrey Stoltzfus

FARMLAND
by
Jeffrey Stoltzfus
Inspired by a true event

"You cannot find peace by avoiding life."
-- Virginia Woolf
 

FADE IN:
EXT. MAST FARM - NIGHT
Wheat fields. Etched in darkness and moonlight. For the
moment it’s calm.
TITLE: Nebraska, 1875.
A WOMAN CRIES OUT, drawing our attention to a scant farm
house in the distance.
EXT. MAST HOUSE - CONTINUOUS
Perched on the house’s front stair is HENRY MAST. He’s 11
years old and anxious as anything.
His mother’s intermittent screams emanate from the house.
Nearby his father WALTER MAST, 40’s, smokes a pipe. Keeps his
back to his son. Trying to hide the worry in his weathered
face.
More screams from inside.
HENRY
Was it like this with me?
Walter looks to Henry. His lack of response confirms it
wasn’t. Something is wrong.
Then, silence.
Walter lowers his pipe. Faces the front door. Waiting.
Standing in the painful silence.
He can’t take it anymore -- lunges forward -- bursts in the
front door --
Henry strains to see past his father.
His pregnant MOTHER lies motionless on the kitchen table.
A weary DOCTOR approaches Walter with trembling hands.
DOCTOR
I’m sorry, Walter.
He can barely pat Walter on the shoulder as he passes by.
Walter’s emotions overwhelm him. He folds in on himself,
dropping to his knees before his dead wife.
Henry watches from the doorway. His eyes welling with tears.
FADE OUT:
FADE IN:
EXT. MAST FARM - DAY
Under grey skies. Walter hacks at the earth with a shovel.
Stone-faced. Focused only on his task. Dig.
CUT TO:
LATER
Walter and Henry stand before a fresh grave bearing two
wooden crosses. There are no words.
FADE OUT:
INT. MAST HOUSE - WALTER’S BEDROOM - MORNING
Sunrise spills through an open window. A soft breeze tickles
the curtains.
Somewhere in the mess on the bed lies Walter. A farmer ought
to be up by now.
TITLE: Eight months later
HENRY (O.S.)
Pa!
Walter groans.
HENRY (O.S.)
Pa, we’re going to be late.
Walter swings his legs out of bed. An empty whiskey bottle
falls to the floor. Not that he noticed.
Walter’s face hangs heavy. Tired. Unshaven.
EXT. MAST HOUSE - DAY
The fields look fallow. Henry drives their farm wagon, and
their one horse, up to the front of the house.
2.
Henry’s shirt is tucked in and his hair is combed. His
version of Sunday’s best when you can’t afford more.
Walter exits the house, tucking his shirt in as he goes.
HENRY
Come on!
Walter climbs into the wagon at his own pace.
INT. MODEST FRONTIER CHURCH - DAY
The church is shoulder-to-shoulder as PARISHIONERS sing All
Creatures Of Our God And King.
Perched in the front pew and singing louder than anyone is
LOUIS SUTTER, early 40’s. His opulent clothes hinting at
arrogance. There’s no dirt under this man’s nails.
To Louis’s sides are his wife ELIZABETH, late 30’s, and
daughters ANNA, 9, and MARY, 11.
Mary takes her eyes off her hymnal just long enough to catch
Henry staring at her from another pew, a few rows back.
Henry doesn’t look away. Just offers a soft smile that Mary
returns.
Walter sings from the doorway with the same lack of
enthusiasm he’s given the rest of the day.
EXT. MODEST FRONTIER CHURCH - DAY
Parishioners vacate the church. Walter chats with a group of
fellow FARMERS.
GRIM FARMER
Heard he bought another one.
WOEFUL FARMER
Where?
GRIM FARMER
Sarpy county.
NEIGHBOR
Sarpy... He’s out to own the whole
territory. Nebraska even.
WALTER
Man’s got means. What can you do?
3.
NEIGHBOR
Tell you what I’d like to do--
Louis exits the church, glad-handing everyone as he goes.
NEIGHBOR
Look at that peacock. Like he’s
president or something.
Louis passes by. His steely gaze locks with Walter’s.
NEIGHBOR
Be a cold day in hell before he
gets my farm.
Walter can’t pull his uneasy eyes from Louis.
INT. SMALL TOWN BANK - DAY
Walter sits across the desk from a BANK OFFICIAL who can’t
stop wringing his hands.
BANK OFFICIAL
I’d really like to help. I really
would...
WALTER
I’m not asking for a hand-out,
George. It’s been a tough season. I
just need more time.
BANK OFFICIAL
You’ve already exceeded the grace
period. Twice.
WALTER
I know--
BANK OFFICIAL
You’ve accrued penalties that
frankly it doesn’t appear you’re
capable of recompensing.
WALTER
I know--
BANK OFFICIAL
If you’re unable to make payment by
month’s end you’re going to default
on your mortgage and the bank will
be forced to foreclose. Do you
understand what I’m saying? We’ll
take your farm, Walter.
4.
This hits Walter hard.
EXT. MAST FARM - DAY
Walter stops his wagon in front of the house. A moment passes
as he take stock of his situation.
He grabs a whiskey bottle and knocks it back. Takes a long
hard look at his farm.
WALTER
Henry!
No response.
WALTER
Boy!
Nothing. Where is he?
EXT. PRAIRIE - DAY
A kite. Flying high over the prairie. Below there’s laughter.
Mary wrestles with the kite line. It’s windy enough that the
kite keeps pulling at her hands.
She trades smiles with Henry.
-- a gust of wind grabs the kite -- jerks Mary to her toes --
Henry springs into action. Grabs her.
Their weight too much, the kite line SNAPS and they fall to
the ground in a heap.
They’re face-to-face. Smiles and awkwardness. If they were
older this would be where they’d kiss. Instead --
-- they look to the sky. Mary’s kite floats away forever.
Suddenly Mary bursts out laughing and leaps to her feet.
Henry watches her dance to music only she can hear. Gliding
across the prairie without a care in the world. Henry smiles.
EXT. MAST HOUSE - SUNSET
Henry approaches the house with a contented smile. Until he
gets close enough to see --
5.
Walter is on the porch. Smoking his pipe. On his way to
drunk.
WALTER
Where you been?
HENRY
Out.
Henry blasts past him. Letting the door slam after him.
WALTER
You missed your chores!
Walter doesn’t go after him. Like always.
EXT. NEIGHBOR FARM - DAY
Walter’s wagon enters the long dusty lane to his neighbor’s
farm.
As he nears the house he spots an unexpected sight: Neighbor
packing his wagon.
Neighbor is visibly upset.
WALTER
What’s going on here?
NEIGHBOR
I didn’t have a choice.
Walter looks to the house where Louis is directing MEN.
Walter realizes: Neighbor sold his farm.
NEIGHBOR
I got a family to think about.
WALTER
What did he offer?
NEIGHBOR
Enough. He offered enough.
WALTER
Neighbor lifts his WIFE and TWO DAUGHTERS into the wagon.
Then climbs in himself.
Walter is incensed. Betrayed.
6.
WALTER
I never thought you’d be the sort
to cut and run. Well go ahead.
Scurry back to Kansas, you gutless
cur. See if you can’t get work
making womens’ dresses cuz you sure
as hell ain’t no granger.
Neighbor takes the abuse. He couldn’t feel much worse anyway.
NEIGHBOR
There’s nothing here for me.
Nothing for you either. Time to
move on.
Neighbor flicks the reigns. His wagon ambles off.
Walter can feel Louis’s eyes on him. Staring at him with
fixed interest. Walter meets his gaze. Two titans of will in
a silent stand-off.
EXT. MAST FARM - DAY
The sun blazes overhead. Walter is in the field, struggling
to run a plow behind his horse.
Louis’s carriage rustles down the farm lane.
EXT. MAST HOUSE - MOMENTS LATER
Louis climbs from his carriage just as Henry rounds the house
and freezes -- stunned to see him.
LOUIS
Afternoon, son. Is your father
here?
Henry doesn’t answer. Intimidated on every level.
LOUIS
I asked you a question. It’s
impolite not to answer. That is
unless you’re dumb. You’re not
dumb, are you, boy?
Louis approaches Henry. Each step further illustrating how
small Henry is to him.
WALTER (O.S.)
Go on inside, Henry.
Louis turns to see Walter only a few steps away.
7.
WALTER
(to Henry)
Go on.
Henry runs inside.
LOUIS
Afternoon, Mr. Mast. My name is
Louis--
WALTER
I know who you are. I’m not
interested.
LOUIS
You haven’t heard my offer.
WALTER
I ain’t selling. Not now. Not ever.
LOUIS
Then I guess I made the trip out
here for nothing.
Louis is still wearing his salesman’s smile. Walter’s not
buying, and damn sure he ain’t selling.
LOUIS
Well be that as it may, I’m already
here. I might as well unburden
myself of my proposal. Twelve cents
an acre would be more than a smart
sprinkle but I can tell you’re a
shaver and I don’t aim to waste
your time. Thirteen cents.
Walter spits. Louis can’t believe it. He’s amused by a hard
bargain.
LOUIS
Sakes you are a shaver. All right,
Mr. Mast. You win. Best offer.
Eighteen cents on the acre. That’s
a right smart deal. Far more than
it’s worth. Especially considering
its current state. What say you to
that, sir?
WALTER
Appreciate your offer, Mr. Sutter.
The answer is no.
Walter turns, heads back toward the fields.
8.
Louis is beside himself with rage.
This shouldn’t be here.
LOUIS
You turn your back on me?
Walter turns back, cautious of the tiger he’s uncaged.
Louis’s demeanor has flipped. The salesman’s smile has been
replaced by a venomous rage.
LOUIS
I offered you a fair deal. A fair
deal.
WALTER
I meant no disrespect Mr. Sutter--
LOUIS
Money is respect! I offered you
mine and you turned your back to
me. You’re going to regret this.
Louis storms back to his carriage.
Walter looks uneasy. Sees Henry staring at him from the front
door.
INT. SMALL TOWN BANK - DAY
A satchel is dropped onto the Bank Official’s desk. The size
and weight of which could hold a lot of money.
He looks up to see Louis wearing a devious smile.
LOUIS
Good afternoon.
EXT. MAST FARM - EVENING
Walter exits his house to find the Bank Official on his front
door step with an apologetic nervousness.
Walter spots Louis a few yards away. Smirking.
WALTER
What are you doing here?
LOUIS
I’ve come for restitution.
9.
WALTER
(to Bank Official)
What have you done?
BANK OFFICIAL
I’m sorry, Walter.
LOUIS
The bank was wise enough to sell me
your loan. You see, they know a
smart deal when they see one.
WALTER
You can’t do that.
BANK OFFICIAL
We didn’t have a choice. You’re
over head and ears. Mr. Sutter paid
in full.
LOUIS
Don’t worry, Walter, I’m not a hard
hearted man. You have till the end
of the week to square even. Which
by my account is three months plus
interest. Then it’s mine.
Walter looks he’s about to explode. Somewhere between tears
and rage.
WALTER
(to Bank Official)
Please. My wife is buried in this
land.
Shamefaced, Bank Official can’t even look at Walter.
LOUIS
You mean my land.
Walter’s torrid eyes peg Louis’s smug, haughty face so hard
it could leave marks.
EXT. PRAIRIE - AFTERNOON
Henry and Mary trudge over the terrain in step.
HENRY
What’s school like?
10.
MARY
I dunno. Fun I guess. My Daddy says
anyone worth their salt has an
education. You’ve never been?
HENRY
Pa won’t let me.
MARY
How come?
HENRY
He needs my help on the farm.
MARY
You aren’t there now.
HENRY
I hate that place. Besides, I’d
rather be with you.
MARY
Maybe you could come live with us.
Henry looks rocked by the possibility. A meager jolt of hope.
EXT. CREEK - SUNSET
Henry and Mary come to a small creek. Henry dashes across a
fallen log to cross it.
Mary attempts to traverse the log but it’s unstable, wobbling
under her weight. She’s nervous and looks as if she’s going
in the creek.
Suddenly Henry appears back on the log. He grabs her by the
hand and leads her to the other side.
Once off the log Henry notices Mary doesn’t let go of his
hand. He likes it.
They head toward her house, hand in hand. Each one stealing
little glimpses and giggles at each other.
LOUIS (O.S.)
Let go of her!
Henry looks shocked. Sees Louis thundering toward them.
Louis shoves Henry away from Mary. Hard.
11.
LOUIS
Don’t ever put hands on my
daughter.
(to Mary)
You are never to see this boy
again. Never! Do you understand?
Mary begins to tear up. She doesn’t understand.
MARY
But... why?
LOUIS
Because I said. Now get inside the
house!
MARY
But Daddy--
LOUIS
I said get!
With tears in her eyes Mary runs to the house.
Louis turns his attention back to Henry.
LOUIS
Your father put you up to this?
HENRY
(confused)
No, sir.
LOUIS
Yeah, sure. He is a salty mop isn’t
he?
HENRY
I’m not like him.
LOUIS
What do you possibly think you have
to offer my daughter? You come from
nothing. You are nothing. You are
your father’s son. Don’t ever go
near my daughter again.
Louis leaves Henry broken-hearted in the last bit of sunset.
Darkness is coming.
INT. MAST HOUSE - NIGHT
A cast iron skillet drops to the floor with a CLANG as the
steak Walter was cooking in it falls out. Walter cries out,
having burned himself by the fire.
12.
He wraps his hand in a towel, muffling curses. He takes a
swig from his whiskey bottle to help dull the pain.
Henry storms in.
WALTER
Get that steak off the floor will
ya?
HENRY
(re: the whiskey)
Looks like you’ve already had
dinner.
WALTER
Watch the sass, boy. Where you
been? I can never find you. I need
your help around here. I’m trying
to save the farm.
HENRY
You couldn’t even save ma.
Walter slaps Henry across the face. Immediately regretting
it.
A tear rolls down Henry’s face but he doesn’t whimper.
Instead he stares into Walter with contempt.
HENRY
I hate you.
Henry heads to his room. Walter is left hating himself.
INT. SUTTER HOUSE - LOUIS’S OFFICE - NIGHT
Louis reads over documents by lantern light. His wife
Elizabeth fills the doorway.
ELIZABETH
She’s stopped crying... if you’re
interested.
ELIZABETH
This dialogue shouldn’t be here.
Louis puts his paperwork down. Of course he’s interested.
13.
INT. SUTTER HOUSE - MARY’S ROOM - NIGHT
Louis peeks in. Mary’s on her bed, her back to the door.
Louis crosses the room, sits gingerly on her bed. Takes his
time finding the right words.
LOUIS
I’m only trying to do what’s best
by you. Someday you’ll understand.
No response from Mary. Louis considers leaving for a beat.
Mary gets up, climbs into her father’s arms and hugs him
tight. He hugs her back. Hard to say ‘I love you’ when you’re
upset but it doesn’t mean you can’t show it.
FADE OUT.
FADE IN:
EXT. MAST FARM - DAY
(WALTER)
Abashed, Walter stands before his wife’s grave, wringing his
hands.
WALTER
(softly)
I don’t know what to do. Sure could
use your advice.
As if an answer --
A ROCKY MOUNTAIN LOCUST LANDS ON HIS WIFE’S GRAVE MARKER.
Production note: grave marker is a weathered cross.
Walter studies it, looking for meaning.
After a moment it flutters away.
INT. SUTTER HOUSE - DAY
Mary combs through the hair of her doll. Suddenly there’s a
PLINK of something against her window.
Mary goes to the window to investigate.
Below: Henry, waves for her to come outside.
Mary’s face lights up when she sees him.
14.
EXT. MAST FARM - DAY
A plow share chews up earth as it goes.
Walter’s in the field running it behind his horse.
Suddenly the horse stops.
WALTER
Come on.
Walter snaps the reigns but his horse doesn’t respond.
Frustrated Walter moves beside it. Smacks it on the butt.
Nothing. He tries again -- slapping it so hard the horse
rears up -- knocks Walter to the ground --
The horse breaks from the field, dragging the plow behind.
Walter can only watch as it jangles and digs, puncturing his
land in a Morse code of destruction.
WALTER
No!
The horse barrels right into his wife’s grave. Destroying the
cross. Ripping soil like an open wound.
Walter clenches his jaw. Lets out a roar. He’s had enough...
EXT. SUTTER HOUSE - DAY
Henry and Mary hide behind a tree in her back yard.
HENRY
There’s a train tonight. Well have
to go on the fly and hide in the
cow crate so the bulls don’t get
us. When we get to Lincoln we’ll
find a flop. I’ll get work in a
factory. You’ll have to work too.
Mary looks dismayed by his plan.
MARY
I don’t want to leave.
HENRY
It’s okay. I’m scared too. We’ll be
fine.
15.
MARY
That’s easy for you to say you’re
not leaving anything behind.
Henry is stunned. She’s never insulted him before.
HENRY
It’s the only way we can be
together.
Mary hesitates... can barely speak.
MARY
I don’t want to go.
Henry sinks back. Crestfallen.
INT. SUTTER HOUSE - SAME TIME
Louis scans the house.
LOUIS
Mary?
BACK OUTSIDE WITH MARY AND HENRY
Henry grabs Mary’s hand.
HENRY
If I leave now you’re never going
to see me again.
He waits for sign from Mary but she offers none. Can’t even
meet his eyes.
Defeated Henry stands. Instantly he’s yanked back down by
Mary.
MARY
Okay.
Her eyes are heavy with sadness but at least they look at
Henry. It’s enough.
Henry tends a soft smile. Happy she’s coming.
HENRY
Okay.
Henry rises just as a hand clamps down on him from behind --
throws him across the lawn.
16.
LOUIS
What did I tell you?
MARY
Daddy, no!
Henry tries to get up but Louis shoves him further across the
lawn. Advancing faster than he can react.
LOUIS
What were the words I spoke?
Another shove.
LOUIS
If you’ve forgotten than perhaps I
need to beat them into your memory.
Louis raises his fist to strike Henry.
LOUIS
Keep away from my--
CRACK! A SHOT rings out.
Louis jolts as his shoulder dribbles blood, nipped by the
bullet that just whizzed by him. A flesh wound.
Walter stands thirty yards away. Staring down the smoking
barrel of his Winchester rifle.
His tone is measured and firm.
WALTER
Step away from my boy.
Mary screams. Runs in the house.
LOUIS
You shot me. You fuddled dolt.
Mouth agape, Henry scrutinizes Walter. Unsure if he fired a
warning shot or if he’s so drunk he missed.
LOUIS
You’ll be in the calaboose by
dinner. I’ll see to that. You’ve
dug your own grave.
Walter cocks the lever on his rifle.
Henry can see now: that was no warning shot.
Louis sees it too. Finally as nervous as he should be.
17.
LOUIS
Wait a minute now. Hold on...
Walter takes aim.
Suddenly Elizabeth emerges from the house with Louis’s rifle
trained on Walter. Mary just behind her.
HENRY
No!
Walter sees her.
ELIZABETH
I’m a God fearing woman, mister,
but if you don’t get that rifle off
my husband I’ll bury you.
Eyes dart from side-to-side. Who will be the first to flinch?
Nobody moves. The air so thick with tension no one even
breathes.
Walter refocuses on Louis. Resigned to whatever fate comes
after. He fingers the trigger. Ready.
Suddenly a locust lands on Walter’s gun barrel.
Walter studies it. Perplexed.
Is it a sign from his wife?
Another locust zips by. Then another.
The sunlight dims on everyone -- as if a large cloud has
moved overhead.
Then comes the noise: the strange, awful BUZZING. Growing
louder with each second. Getting closer.
Everyone can feel it. Something’s not right.
Mary’s the first to look up. Her eyes going wide. Mouth
agape.
MARY
Daddy...
Louis looks to the sky. The dread washing over his face too.
Finally Walter pries his focus from Louis. Gazes to the
heavens.
18.
The sky is alive in a swarm of locusts. Millions of them.
Enough to block the sun, and every other inch of sky.
Walter lowers his rifle in sheer awe.
WALTER
My God.
Louis stumbles toward the house.
LOUIS
Inside! Everybody inside!
Everyone rushes for the house as the swarm descends at them.
INT./EXT. SUTTER HOUSE - FRONT DOOR - CONTINUOUS
Elizabeth pushes Mary inside. Louis pulls the screen door
tight behind.
ELIZABETH
What are you doing?
Henry and Walter scramble for the porch. Swatting locusts as
they go.
Henry gets to the door first. He jerks at the handle but
Louis holds it fast.
HENRY
Let us in.
Henry jerks at the door to no avail.
MARY
Let him in.
ELIZABETH
Louis, please.
The locusts are everywhere now. Engulfing the landscape. The
ground turning to a living carpet of hungry insects.
Walter finally makes it to the porch.
Louis lets go of the door -- grabs his rifle from Elizabeth --
raises it in time to meet Walter’s. Both men are face-to-face
with each other’s guns.
Locusts crawl across Walter but he doesn’t flinch. This could
be his chance to kill Louis.
19.
HENRY
Mr. Sutter--
MARY
Daddy...
LOUIS
(to Walter)
You’re not getting in here with
that rifle.
Walter stares into Louis’s cold eyes.
He can hear Henry screaming, struggling to wipe the locusts
clean. They need to get inside fast.
20.

Ten Principle of A Geat ScreenWriting - Dr Gregory k. Allen


Dr Gregory k. Allen, a Film studies professor explains the ten principles of a "Great screenwriting ", adding a perfect action for every scene, making your first ten pages attract you reader and many more.

A Screenplay Writing Workshop - by Gidi New


A Screenplay Writing Workshop by Gidi New a Television and screen play writer, she takes us through the basic of screenplay writing, using outlines for your screen play to get the best result. she shares her experiences with writer wanna be who see the principle of writing as a waste of time...

SINACH FT T-SHARP IN ""PRECIOUS JESUS"